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en:laura2019 [2019/07/05 15:12] hilda [Your vision of manufacturing in the future] |
en:laura2019 [2019/07/05 15:17] hilda |
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| Since graduating I have worked as a glass blower and studio assistant, as well as a glass blowing teacher in various studios around the world including Estonia, New York, and the UK. In 2017 I decided to continue my education by enrolling in a masters of arts in 3D Design Crafts in Plymouth College of Art in Devon, England. I am due to complete my studies here later this year in September. | Since graduating I have worked as a glass blower and studio assistant, as well as a glass blowing teacher in various studios around the world including Estonia, New York, and the UK. In 2017 I decided to continue my education by enrolling in a masters of arts in 3D Design Crafts in Plymouth College of Art in Devon, England. I am due to complete my studies here later this year in September. | ||
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| ===== Your vision of manufacturing in the future ===== | ===== Your vision of manufacturing in the future ===== | ||
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| ‘It combines engineering expertise (in terms of design for reliability, maintainability, reparability, upgradability) and socio-psychological expertise (understanding “product attachment” how and why people value a product enough to sustain its use).” (Tonkinwise, 2014, p209). | ‘It combines engineering expertise (in terms of design for reliability, maintainability, reparability, upgradability) and socio-psychological expertise (understanding “product attachment” how and why people value a product enough to sustain its use).” (Tonkinwise, 2014, p209). | ||
| - | It is through this process that I aim to create more sustainably designed glass objects. By using co-designing methods with my clients through rapid prototyping computer programmes such as Rhino, the emotional investment between the user and the object already begins to exist. Computer-aided design drawings render and 3D printing prototypes mean that the design can be easily adjusted before a single glass object is made using energy-guzzling glass melting kilns- therefore decreasing the likelihood of multiple remakes before the client is happy with the result. (See Figure 1+2). | + | It is through this process that I aim to create more sustainably designed glass objects. By using co-designing methods with my clients through rapid prototyping computer programmes such as Rhino, the emotional investment between the user and the object already begins to exist. Computer-aided design drawings render and 3D printing prototypes mean that the design can be easily adjusted before a single glass object is made using energy-guzzling glass melting kilns- therefore decreasing the likelihood of multiple remakes before the client is happy with the result. |
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